So this is essentially the music I've always wanted to make and he's the reason I chose Renoise- and so far it seems easier for sampling and chopping than what I was using (Reason). So I guess I wouldn't need any of those either? This helps, thank you! I'm still looking into hardware, I know it's not what you use, it's how you use it- but it's different, knowing what I want to do, but not knowing how to do it, so that makes researching a bit difficult.īut I mean, Renoise really eliminates the need for a drum machine I guess? Unless it'd be more productive or efficient, since it's physically and you can actually press the buttons and turn the knobs.Īnd it has arpeggiators available and synthesis VSTs. Hope that helps, let me know if you have any other questions. There's a lively community of finger-drumming nerds around making fun sound-packs to play, and I always find that area inspiring. (3) I also have a MidiFighter Pro beatmasher. With re-wire I can get audio into Ableton easily (from Renoise and other sources) and then experiment with arrangements more productively than I've ever been able to (even with Renoise's "new" matrix editor which is super-neat but somehow still less productive than the tools in other DAWs for me). (2) I have an APC 40 which makes working with Ableton's session view super-fun. (1) I have an AKAI LPD8 which has 8 pads that are good for banging in rhythms and 8 knobs which are super-useful for midi mapping to parameters in Renoise (Learn to use the Hydra device!). Three things that did (and that I still use) are: Almost all of it didn't really affect my productivity at all. xrnx files to go through (compos and things come to mind).Ībout hardware: I have experimented with lots of different hardware over the years. Also, on the forum (and in some other places) there are repositories of. There are some neat tricks and nice basics embedded in there. So, that leads to one idea: dissect the demo and tutorial songs that come with Renoise. You can see exactly how something was done, and even directly lift the samples that were used (gasp!).
The thing about tracker files is that the 'source' is right there. I learned trackers (I started with Impulse Tracker on DOS in 1999) by finding songs I liked (we called them MODs then) and seeing how they had been composed.
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